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“... In a striking passage in his memoirs Richard Baxter recalls watching the battle of Langport as a young chaplain in the army of the Parliament. After some fierce fighting, panic suddenly set in among the Royalists on the opposite hill. Standing next to Baxter was the godly Major Thomas Harrison. As the Cavaliers broke and fled, Baxter heard him ‘with a loud voice break forth into the praises of God with fluent expressions, as if he had been in a rapture ...”

“... Sex, an eminent British historian observed a few years ago, is not an important subject for the historian. Plenty of historians had already proved him wrong, and they have continued to do so: Flandrin, Foucault, Laslett, Shorter, Stone – one could put together quite an impressive list. But most of their work has dealt primarily with sex as a set of relationships defined by the biological differences between men and women, rather than with gender, which involves the perception and social construction of those differences ...”

“... We have been taught to think of the Tudor monarchs as having brought stability to England after the disorders of the 15th century. So they did, in a way. Yet between 1509 and 1640 there were more than three hundred riots in England, many of them occasioned by the enclosure of common land or the denial of customary rights of pasture. Some were large enough to be dignified by the names ‘rising’ or ‘rebellion’, as was the case in the Midlands in 1607; others were small and insignificant, a handful of obscure villagers levelling someone’s hedges and letting their cattle in ...”

“... a time, aspired to godliness is a remarkable one, and is here well and enjoyably told. Professor Underdown seeks to explain ‘who the reformers were, whom they were reforming, how and why they did it, and why in the end they failed’. Crucial to the transformation of Dorchester into ‘the most puritan town in England’ was the fire of 1613 which might ...”

“... for the rest, it would be hard to find a more extreme contrast in historical methods. Professor Underdown, as he makes clear in his preface, sees no virtue in attempts at explanation of the Civil War which concentrate on political events at the centre. For him, it is necessary to understand society in depth. For Dr Starkey, on the other hand, it is ...”

“... life but a game of cricket? – beauty the bat and man the ball,’ he’s quoted as saying in David Underdown’s book. The Duke, a big sponsor of the game in its years of consolidation in the second half of the 18th century, reverted on non-match days to his role of seducer of upper-class women, and no doubt felt that the life’s-a-game-of-cricket ...”

“... study of John Everard; and there is some predictably tough and valuable political analysis from David Underdown and Nicholas Rogers. What emerges from most of these essays, however, is not so much the undoubted ideological confluence of English and American radicals, as the disparities between their respective national experiences in the past and their ...”

“... before men had a word for it. How indeed could they have a word for it until it had happened? David Underdown, one of the five big names contributing to this festschrift, has a characteristically wise survey of ‘Community and Class’ in the English Revolution. Disregarding Hexter’s prohibitions, he concludes: ‘The Marxist model of local ...”

“... to defeat its purpose. For truer narratives, we have to move forward in time to historians – Underdown, Woolrych, Worden, Gentles – more sympathetic to the revolutionary experience itself, who have written the modern accounts of Pride’s Purge, the Putney Debates, the Rump or the New Model Army. But with the exception of the last, these still cover ...”

“... Modern​ Hollywood isn’t really Hollywood – it’s Calabasas. With everyone now the David O. Selznick of his own social picture, gossip replaced with tweets, and fan magazines with selfies, the grandeur of old Hollywood can seem mythical. Like proper myths, its stories are almost exclusively about metamorphosis, self-destruction and things going wrong, but they are at least stories as opposed to advertisements ...”